![]() He proudly identified as an American artist, all the while maintaining a connection to his Japanese heritage. Through this fusion, he cultivated a distinctive and visually striking style. Kuniyoshi's artistic vision was a blend of influences, incorporating elements from American folk art, Japanese design, and European modernism. In the vibrant art scene of 1920s New York, he rose to acclaim, ultimately earning a place among the most revered artists in the United States. Instagram, Born #OnThisDay in 1889, #YasuoKuniyoshi embarked on a remarkable journey, leaving his native Japan for America during his teenage years. □️ Join us on opening day for “Keepers of OurStory: A Discussion with Black Elder Artists,” a special panel discussion featuring Adriene Cruz Richard Brown and 9, 2–3:30 p.m. It is the first exhibition to consider the work of Black diasporic artists collectively in Oregon. Instagram, ✨ Opening in one week: “Black Artists of Oregon” is a new exhibition curated by artist in the 1880s and spanning through today, the exhibition highlights and celebrates the work of 67 Black artists in the region through over 200 objects. □ Visitor wearing orange jacket stands pointing at dogfish puppet suspended by rigging.] "Guillermo del Toro: #CraftingPinocchio" is a behind-the-scenes exhibition devoted to the collaboration of 400 artists in Portland and Guadalajara, Mexico to realize an Oscar-winning masterpiece. Instagram, ⏳ Just two weeks left to enter the world of the wooden boy! Gift of the American Federation of Labor and Congress of Industries Organizations, 82.43 Composite color print with detail views of reproduced photos and logos of workers and industry.] #RobertRauschenberg (American, 1925–2008), “Commemorative Artwork,” 1981. On the left side is an image of Lane Kirkland who served as the president of the during that significant period in history. ![]() Within this image he incorporated allusions to the American Federation of Labor and Congress of Industrial Organizations, as well as symbolic imagery representing the spirit of unity and movements for labor reform. ![]() Robert Rauschenberg created this iconic print in commemoration of the centennial celebration of the organized labor movement in the United States. Instagram, Did you know? In early 1887, Oregon was the first state to pass a law recognizing #LaborDay as a holiday. We’re putting the final touches on “Black Artists of Oregon,” opening this Saturday, September 9 and curated by us on opening day for “Keepers of OurStory: a discussion with Black elder artists.” Free event link in bio to reserve your spot → Instagram, □ That fall feeling of a new exhibition is in the air. □ Join us this Sunday, September 10 for the final Animation Art Day programs featuring artists from the Animation Department. Instagram, □ Final weeks of #CraftingPinocchio before it sails away! Don’t miss this behind-the-scenes exhibition offering a glimpse into the collaborative process of 400 artists who animated “Guillermo del Toro’s Pinocchio” right here in Portland. Fund for the Blanche Eloise Day Ellis and Robert Hale Ellis Memorial Collection, 86.59 © Estate of Jacob Lawrence This painting was a study for a commissioned work by the Seattle Arts Commission where Lawrence lived and worked as a professor at University of Washington since 1969. The finished project is undefined, leaving the viewer with builders and their labor as central subjects, rather than the completed building. In these paintings, workers of different races fill the composition of flattened color planes. The artist employed depictions of the American worker to symbolize a universal desire to forge one's own destiny. Builders is a theme that he revisited throughout his career, influenced by his time working for the WPA. Instagram, “When the subject is strong, simplicity is the only way to treat it.”
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